=================== =================== =================== === 2002-08-04 Augusta.txt =================== =================== =================== Bob Dylan, 8/4/02, Augusta, ME LB-0087; Acoustic Man In Augusta (Tambourine Man Records - TMR-042/43) Very good to excellent sound [B+]. Olof Bjorner 24060 Civic Center Augusta, Maine 4 August 2002 1.Humming Bird (Johnnie Wright, Jim Anglin & Jack Anglin) 2.The Man In Me 3.It's Alright, Ma (I'm Only Bleeding) 4.If You See Her, Say Hello 5.Tombstone Blues 6.Tears Of Rage (Bob Dylan/Richard Manuel) 7.Floater (Too Much To Ask) 8.High Water (For Charley Patton) 9.The Lonesome Death Of Hattie Carroll 10.Tangled Up In Blue 11.Knockin' On Heaven's Door 12.Summer Days 13.Never Gonna Be The Same Again 14.Cold Irons Bound 15.Rainy Day Women # 12 & 35 16.Like A Rolling Stone 17.Honest With Me 18.Blowin' In The Wind 19.All Along The Watchtower Concert # 1433 of The Never-Ending Tour. Third concert of the 2002 US Summer Tour. 2002 concert # 50. Concert # 34 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Receli (drums & percussion). 14, 9-11, 18 acoustic with the band. 2, 4, 6, 18 Bob Dylan (harmonica). 2, 13 Larry Campbell (pedal steel guitar). 4 Larry Campbell (fiddle). 3 Larry Campbell (cittern). 3 Charlie Sexton (dobro). 5, 15 Larry Campbell (steel guitar). 17 Larry Campbell (slide guitar). 1, 18 Larry Campbell & Charlie Sexton (backup vocals). First acoustic version of The Man In Me. Bootleg Acoustic Man In Augusta. Tambourine Man Records TMR-042/43. 14 new songs (73%) compared to previous concert. 8 new songs for this tour. Stereo audience recording, 120 minutes. Bill Pagel Augusta, Maine Augusta Civic Center August 4, 2002 Humming Bird (acoustic) (Larry on electric guitar) The Man In Me (acoustic) (Bob on harp and Larry on pedal steel) It's Alright, Ma (I'm Only Bleeding) (acoustic) (Larry on cittern and Charlie on dobro) If You See Her, Say Hello (acoustic) (Bob on harp and Larry on fiddle) Tombstone Blues (Larry on steel guitar) Tears Of Rage (Bob on harp) Floater (Too Much To Ask) (Tony on standup bass) High Water (For Charley Patton) The Lonesome Death Of Hattie Carroll (acoustic) Tangled Up In Blue (acoustic) Knockin' On Heaven's Door (acoustic) (Charlie on electric guitar) Summer Days (Tony on standup bass) Never Gonna Be The Same Again (Larry on pedal steel) Cold Irons Bound Rainy Day Women #12 & 35 (Larry on steel guitar) (encore) Like A Rolling Stone Honest With Me (Larry on slide guitar) Blowin' In The Wind (acoustic) (Bob on harp) All Along The Watchtower Reviews Augusta, Maine Augusta Civic Center August 4, 2002 -------------------------------------------------------------------------------- Review by Mike Skliar First, a little history.....I had seen the first show of the tour at Worcester, a fine, fine performance, with a fairly average set list (with the exception of a wild wacky "Never gonna be the same again" in a new arrangement). I didn't go to the next (Newport) show, thinking...... "Hey, what could he do at Newport that would be so different , anyway"....My theory was that the Worcester show was a dress rehearsal for Newport and that it'd be the same songs, maybe minus a song or two. Wrong! Then again, I thought that Bob would look like, well, Bob at all the shows. Wrong again! So the first thing that happened at Augusta was hearing about yesterday's Newport scraggly fake beard and hair, and seeing a picture from a Boston paper. Waiting in line, we all wondered 'what could it mean? New scenes from the movie? A 'dis' of Newport folkies? A salute to Doug Sahm and/or "All things must pass' era George Harrison? A bad calender that said it was Halloween?" Who knows...... On to the magnificent Augusta show.... Hummingbird... unlike the Worcester show, Larry, Charlie and Bob didn't try to use the same microphone. It was a better version for it, tho it's to my ears a weak opener in general. Then, the game was raised to a whole other level with song two, a (first ever acoustic?) version of "The man in me". I hadn't heard this live in person since Middletown NY in 1988..Tonight it was a nice version, with a little of that 'go up at the end of line' vocal mannerism/inflection that can get annoying after a while but is engaging in small doses. Third was It's alright ma, Im only bleeding.. In contrast to the Worcester show 2 days before, he blew some of the words, from the first line onwards, and never really nailed it. (Worcester, by contrast, was a perfect version.)George Recelli, tho, takes every inch of it and makes it his. Great arrangement... But then Bob more then made up for it in what was probably my highlight of the night, a country-rockin'hoedown, fiddle, harmonica and all- version of "If you see her say hello". Incredible. Larry playing cajun fiddle, loud and strong, Bob giving every word care and attention, with some playful lyric changes (some line about if I see her now , she'd just make me ssiiiiiiiiicccckkkkkk" or something). Bob doing that "little move-the-left leg dance"on stage too. Then electric. Average "Tombstone blues (I think Worcester's version was a little better) Then the game up on another level again with the 'tears of rage" Larry and Charlie doing beautiful backup vocals. Great song, great singing, tho Bob's vocals were buried a little bit at times, and his lead playing here subtracted more then it added. The next two songs, both from Love and theft were gems, Floater, and a banjoless (as at Worcester) Highwater. Bob nailing every word, with no up-at-the-end of the line vocal mannerisms, no slurred syllables, nothing but perfection. Jazzy groove from Charlie in Floater with a solo out of Wes Montgomary or Joe Pass. Highwater getting meaner and meatier then it was late last year, when a banjo groove seemed to set up the observation 'its bad out there' in the context of a 'cities are on fire' post- 9/11 world.... Then back to acoustic .. For a letter perfrect 'lonesome death of hattie carroll'. Bob pausing with a blank look in his eyes midway thru the solo, as I wondered from my position on the rail, 'has he forgotten the last verse?" Nah, he nails it. Of course. Tangled. AH tangled, a song we're all sick of, except when he does it this good, we love every instant. And he does nail it this time, best version I've heard in a while, certainly better then Worcester. Then a nice change up, Knockin on heaven's door in the new 21st century arrangement. Love the new chords, guys, great backup vocals from Charlie and Larry. Back to electric.. Summer days blows the roof off the place as a (not yet) parting gift. Recelli and Tony Garnier lock heads and swing as furiously as Jo Jones and Freddie Green in Count Basie's band in 1938 , while Charlie and Larry exchange riffs like Les Paul and Chet Atkins on speed.. (ok, showoff comparisons over now). Bob again nails every word, the jam goes past meltdown, and nirvana is reached. Now to the weird. The 2nd ever performance of the new arrangement of "Never gonna be the same again". For those who haven't heard, it's a stop and start thing with bob doing like 8 bars of somewhat freeform solo electric guitar between verses,, a little like the "hard rain' version of maggie's farm stretched out more. I like this arrangement a whole lot, it's the best guitar playing I've heard bob do live ever, and totally suits his riffs-off the chord inversion kind of lead playing that he has.... I think he may have blown the bridge by singing the same words twice, (doesn't the 2nd time thru the bridge have different words?) but it doesn't matter, this is unique, strange, and hell if we like Bob, we like strange, right? Then we go to outer space for "Cold Irons bound' also in the new (since 2000) arrangement. Bob spits this out with fire and brimstone, making the winds of Chicago pale in comparison. Great version. The band is on fire.. Rainy day women.. playful, fun (as it should be) with extra time between band intro's for the particualar members while each band member struts his stuff for a bit. Loved Charlie's Robert Johnson riffs which the rhythm section picked up on in a heartbeat, (isn't this another reason they are the best 'players in the nation'! ) The encores, Like a rolling stone, honest with me, blowin in the wind, and watchtower, were great, but nothing all that different then the many many many prior versions. All in all, a great time, and I had a great time hanging out in line before (and in Worcester) with many folks I had met for the first time, or had just known thru e mails, etc before.. Thanks to all, and wish I could have caught more of the tour.. Have fun everyone! Review by Kevin Ouellette I just had to briefly talk about the two Dylan shows I just saw. They were my third and fourth Dylan shows respectfully. I had high expectations for both shows. First it was Worchester on Friday, which was great seeing Bob in such a small venue. He seemed to be having the most fun I had ever seen him have on stage. He was clapping his hands after the amazing performance of "Tombstone Blues." But, this is supposed to be a review for the Augusta show. So, I live about three and a half hours north of Augusta. It was a long ride. I came with two friends who saw Bob with me in Manchester last year and we brought along four people who had never seen Bob live. Two of them bought tickets at the door when we got there. We arrived at about 4:00 for a 7:30 start time. There were two lines out front. Everyone was very friendly and I saw a lot of the same people from the Worchester show. At 6:30 the doors opened and everyone rushed in. The Augusta Civic Center looks like a high school gym except it's very big. The show was supposed to start at 7:30 but didn't get underway until 8 or so. Bob came on dressed in all black with red stripes on his pants and pockets. He started with "Humming Bird" which was a nice version. Then we were treated to a fabulous version of "Man in Me." I had only heard this played live once before on a live recording from 2000. This was a great performance with a harp solo and everything. Then just like in Worcherster it was "It's Alright Ma." I preferred the version in Worchester. Next, "If You See Her, Say Hello" was very good. Bob on harp again and Larry playing fiddle. Oh wow I thought we are in for a good show. Then again we got "Tombstone Blues." Good solid performance, the same as Worchester. Then something I didn't expect to hear "Tears Of Rage." I was blown away. Such a fabulous version. It was sung with such conviction and Larry and Charlie chimed in perfectly. Next was "Floater" and "High Water" both done very well. Bob really loves playing the new material, he seems to get into it more. We saw the leg twist in full force on "High Water." Then another surprise with "Hattie Carroll." I love this song. But, somewhere near the end of the song Charlie's guitar stopped playing. He didn't notice at first and then I think Dylan let him know. Charlie tried plugging it back in but that wasn't the problem. So, he walked off stage. He didn't return till after the opening of "Tangled Up In Blue." He and Bob were visibly upset about the incident. "Tangled" was just average. Then another treat, "Knockn' On Heaven's Door." I love to hear Charlie and Larry sing. "They sound like angel's" as one man said to me outside before the show. "Summer Days" just blew everyone away it was amazing. Everyone was dancing and having a good time. Then we were again treated to what I can only say is one of the most daring songs Dylan has played in a long time, "Never Gonna Be The Same Again." Bob plays some fantastic solos during this song. You have to hear it to believe it. "Cold Irons Bound" was very loud and funky. It got the crowd going again. I Bob didn't allow them to stop by playing "Rainy Day Women." This is the best version I have ever heard. Bob let the band go wild during this song. Bob and Charlie cut loose on some amazing solos. Next came the encore which was the same as Worchester. Nothing special about it except Bob's mic went out during "Honest With Me." He kept right on going so we missed a whole verse. He made up for it with a nice jam sequin with Charlie. It is worth mentioning that I think "Watchtower" is a lot better that in the past few tours. It is much louder and really leaves you wanting more. All in all a great show. I wish I could see more on this tour. My friends really enjoyed the show too. One of them who was not a big Dylan fan said his band it fantastic. The others agreed he is much better live that on CD. I hope I made some new Dylan fans. Thanks Bob and keep on going. Review by Eben Hensby We managed to get a room in the hotel that was walking distance from the venue, so we came over and took a bunch of photos then put our cameras away. It was interesting (and quite tiring) to be at three GA shows in three days, but we got back in line to do it all again. We had a noteworthy encounter with the band (which is described in my "East Coast Tales"), but suffice to say, we managed to wave to them from relatively close up before they entered the venue. Once we were let into the venue, we all gathered in our group and decided to prevent the mess that happened at Worcester with getting too packed in. We all immediately sat down in such a way to give ourselves lots of room. This also allowed us to rest a bit. I managed to get 3rd row. The Augusta venue was interesting. It seemed to be made for basketball and wasn't as big as some of the venues I've been in. So it was less of an arena and more of a gym or something. After some time, Bob and the band came out. Little did we realize that the highlight show would be the one after the small venue and the historic Newport shows... After I go through the concert, I'll explain some new terms: Augusta High and Augusta Afterglow. Humming Bird: Bob's enunciation was better than usual for this song so I actually could make out quite a few of the words. This is probably the best version I've heard of this song. The Man In Me: I somehow recognized this one fairly quickly and was already very surprised and excited. It had pedal steel and great phrasing, and I could feel that we were going to get a great show after this great song. It's Alright, Ma (I'm Only Bleeding): Bob gave a solid performance of this song, as he did for all the songs tonight. If You See Her, Say Hello: This was quite the treat. I wrote in a previous review that I don't much care for the current arrangement of this song because I think it would be better slower. This version changed my mind. For some reason, it works faster as it is now. This version was also very interesting because it was full of lyric variations! In the first verse, he sung something like "I wish it wasn't so". Later, "cut me to the bone" and "she still lives inside my mind". The last two lines to the second-to-last verse were completely different but I couldn't catch it; after Bob sung it, I looked to my side and Arthur's and my eyes met and we both shrugged, obviously both enjoying it but we both missed the words. Finally, he sung the lines I'd heard on the version in London 2002: "...quick, / please don't mention her name to me, ya know it just makes me sick". Tombstone Blues: Using the new arrangement for this song which was debuted at Worcester, Bob rocked it out even more; there were longer jams. It almost seemed like he wanted to end the song earlier but it kept going (gladly). Tears Of Rage: I had long hoped to hear this song because the back-up harmony vocals by Larry and Charlie on the recordings I've heard are perfect. This version blew me away. The vocals were all I had hoped for, and on top of that Bob's vocal delivery was stunningly amazing. Floater (Too Much To Ask): This is one of the songs that I think Bob takes from Love And Theft and just brings it to another level in concert. I love hearing it and today's version was stellar. High Water (For Charley Patton): Before this song, Bob did this weird thing (he did this in Worcester too but I left it out of my review because I forget when he did it): he looks at George, raises his arms above his head, and starts clapping, all the while resembling a weird monkey or something. This got us all laughing. This song then had great phrasing as they again did it without banjo or slide guitar. The Lonesome Death Of Hattie Carroll: Another complete surprise, Bob went into Hattie Carroll. It was very tenderly sung and my notes for it simply say, "Wow again". I was very near tears after the last verse. Bob played his guitar very interestingly: he strummed it in a way that almost sounded like cane blows or heart beats. I think it might've been around this song that I leaned over to Ryan and said "This show is already better than the other two we saw!", but he didn't seemingly, at the time, agree with me (he agreed later). Tangled Up In Blue: When Bob's on, he's on. Even Tangled Up In Blue was unbelievable, this perhaps being the best version I've heard of it! Knockin' On Heaven's Door: It was quite nice to hear this song outside of the encore set and I think he should keep it in the regular set instead. The current arrangement of this song is very spine-tingling. Summer Days: As this song started up we all became excited, getting ready for another jam session. This must've been the longest of the Summer Days jams I've experienced so far. At times, it looked like Bob was going to go back to singing, but then stepped back away from the mic. The jamming just kept going, getting better and better, and there we all were, dancing our hearts out. The drums, the guitars - everything was awesome. I mean, wow. Never Gonna Be The Same Again: My notes for this song simply say, "Whoa". Whereas I was confused and intrigued by the version in Worcester, this version convinced me: I love this arrangement! The way all the music stops except for Bob, who plays very very cool, different riffs, is chilling. Cold Irons Bound: At the start of this song, Bob again did the monkey clapping thing described for High Water. We all laughed and then were thrilled to hear the mystic opening to Cold Irons Bound. This version was wonderful. Rainy Day Women #12 & 35: Now, this here song is a hundred times better than the Leopard-Skin Pill-Box Hats we heard at the other two shows. It was rocking and full of jams and licks and riffs. Then Bob introduced the band. He started off by saying something like, "I'd like to introduce my band. I know you've been dying to meet them and now you'll get to." We didn't think much of it at the time, but after the show, talking with someone else, it was pointed out that this was perhaps in response to us getting close to the band before the show! After this, Bob introduced each member, allowing them to have a short jam. When it came to Charlie's turn, the tempo changed and he played this very fun guitar part! It was very cool to see this pre-planned band intro! Then, when Tony's turn came, he danced this jig, hopping over the standup bass which was on the floor. It was great fun to see the band and Bob having such a great time! They were smiling away. Like A Rolling Stone: Bob opened the encores in the usual way except that he breathed new life into this song. It seemed like everything he touched tonight turned into gold. Honest With Me: At one point in this song, unfortunately, Bob's mic died down (he didn't realize it because his monitor speaker was working). Despite this, the song was great. After the mic came back on, he sung the last verse the best I've ever heard it done. Blowin' In The Wind: The intro harp to this song was Bob's harp playing at, perhaps, its best. Then the song had great phrasing, which did sort of surprise me (as this song lately doesn't seem to have great phrasing too often). All Along The Watchtower: And they left on this unbelievably great rocker song that always leaves you wishing for more. And with that, the Augusta show came to a close. It was by far the best show I've ever seen and a bunch of us entered what was known as the Augusta High. Basically, we all had a natural high which we wouldn't come down from for quite some time. Ryan was running around, jumping and doing cartwheels. I had the biggest grin on my face for a long time. I told someone, "Go on ahead, tell me something bad, it'll just bounce right off me!", and that was the truth. I should've been really tired as I hadn't been getting enough sleep lately, but I just didn't feel it (when the high wore off a few hours later, I became exhausted). People were hugging others and just smiling and it was wonderful. The other term, Augusta Afterglow, is a term I use to describe when one remembers the Augusta High. I was in a Yahoo chat recently and just felt traces of the Augusta High and started grinning again. It was just an unbelievable show and I'm sure the recordings will reveal that. I can't do the show justice in words. And with that, I had witnessed my first small venue show, my first outdoor and historically significant show, and the best show I've so far experienced. Woohoo! Review by Bob Keyes I just want to add a couple of comments about the trio of opening shows, in Worcester, Newport and Augusta. Having read several on-line reviews that were less than positive, I was pleased to see the latest updates that made the case for Newport. It was an excellent show, for several reasons. First, the set list was very nice -- not necessarily nice because of the occasion, but a fine selection of material given the current arrangements he and band are using. Second, his performance was taut, much more so than in Worcester, which, in truth, was a tad sloppy. (But what do you expect for an opening night?). Third, the atmosphere was stunning. Sure, it was hot. And yes, 10,000 people at a Bob show is a bit much, especially when half really didn't care if they heard the show or not. But the setting was spectacular and his set -- coming at the end of a long, hot day -- was a total relief. The only thing better would have been a terrific rain storm. But the biggest thing was the sound. This was the best-sounding Dylan show (indoors or out, large venue or small) that I recall seeing, and I've seen Bob & the band 30-plus times over the last decade or so. People who say you cannot understand him simply do not listen. As other reviewers have noted, he nailed several songs. My personal favorites were "SHB" and "Summer Days," which on three nights was the unquestioned show-stopper. But I would not quibble with anything. It was a rock-solid show, front to back. Worcester was less than stellar, but still enjoyable. I loved the new arrangement of "Never Gonna Be the Same Again," despite many complaints that I heard from people in both Worcester and Augusta. Let's face it folks: Surprises like that are why we keep going back to Bob. He surprised us again, as he has done so often before. An earlier reviewer complained about the loud drunks. I concur. I moved around the venue several times to get away from the yakkers (one idiot kept screaming for "Lay Lady Lay"). No matter where I went, I was surrounded by fools. As for Augusta, I probably enjoyed that show as much as any of the others, although it may not have been the most fluid of the three performances. I just thought the crowd was incredibly respectful and surprisingly enthusiastic. It was the best crowd of the three, and I think that propelled the show. Dylan botched a few lyrics here and there, but there really wasn't much negative to be said about the show, in my opinion. Yes, it was slow at times, but there were enough true highlights to overcome the tempo. I loved Larry's fiddle on "If You See Her, Say Hello," and the version of "Knockin' on Heaven's Door" literally gave me goose-bumps. I took my brother, his wife and their teen-age son. It was the first show the kid had ever been to, the first time my brother and his wife had seen Dylan. They all liked the show a lot; they loved it at times and wished he was a little more coherent at other times. But their complaints were minor. This trio of shows reaffirmed to me the necessity of keeping my Dylan quest alive. He truly is an artist that challenges his fans, and himself, every time out. I understand people's complaints, but those are quibbles in the big picture. Who else is can you see four, five or six times a year and never truly get bored with? Who else can you see so frequently and still be surprised by? Who else is daring enough to deconstruct and then rebuild his songs time and again? Bobsboots Acoustic Man In Augusta (Tambourine Man Records / TMR-042/43) source: Augusta, Maine August 4, 2002 -------------------------------------------------------------------------------- Tracks: Disc one: Humming Bird (a)[Le] The Man In Me (a)[Bh/ Lps] It's Alright, Ma (I'm Only Bleeding) (a) [Lc / Cd] If You See Her, Say Hello (a)[Bh / Lf] Tombstone Blues [Lsg] Tears Of Rage [Bh] Floater (Too Much To Ask) [Tab] High Water (For Charley Patton) The Lonesome Death Of Hattie Carroll (a) Tangled Up In Blue (a) Knockin' On Heaven's Door (a)[Ce] Disc two: Summer Days [Tab] Never Gonna Be The Same Again [Lps] Cold Irons Bound Rainy Day Women #12 & 35[Lsg] encore: Like A Rolling Stone Honest With Me [Ls] Blowin' In The Wind (a)[Bh] All Along The Watchtower Bonus: Somebody Touched Me (a) My Back Pages (a)[Bh / Lf] -------------------------------------------------------------------------------- Review: A very good, upfront and powerful recording. The sound can be a bit muddled here and there, but overall it's quite nice and very listenable. The performance is also very good throughout, although the "sing-song" voice is in evidence at many points. This tour was destined to be overshadowed by the fantastic Fall 2002 shows which followed, and perhaps in retrospect, the particular leg of the touring year represented by this disc seems a little average in comparison. Nice performances throughout, although nothing really remarkable. The bonus tracks are in awful quality, and are not much of a bonus at all, it would have been better if the label had picked something more interesting and in better sound quality as fillers. Packaging is the usual Tambourine Man minimal but smart and the title is a bit odd. A good, but by no means essential release. -------------------------------------------------------------------------------- Information: Source / Venue: Augusta Civic Center, Augusta, Maine August 4, 2002 Bonus: Coral Center Kanata, Ontario, Canada August 13, 2002 Manufacturer / Catalog No. Tambourine Man Records / TMR-042/43 Released: Nov. 2002 Quality: 8 stars Bob's Boots ref # BB-a54 Thanks to Mike McGarr for scans & Review (a) - acoustic [Bh] -Bob on harp [Cd] -Charlie on dobro [Ce] -Charlie on electric guitar [Lc] -Larry on cittern [Le]-Larry on electric guitar [Lps]-Larry on pedal steel guitar [Ls] - Larry on slide guitar [Lsg]-Larry on steel guitar [Lf] - Larry on fiddle [Tab]-Tony on acoustic upright bass XXX =================== =================== =================== === Bob Dylan 2002-08-04 Augusta,ME Acoustic Man In Augusta (TMR 042-043.md5 =================== =================== =================== e0fff26a7ed3414acc135682551bdf79 *2002-08-04 Augusta poster.jpg 914158de255b07a73bf1e09de63d6c92 *2002-08-04 Augusta ticket.jpg cd61f58b00d18eecec46721e6b4ac2ad *2002-08-04 Augusta.txt 8ae591bfd65c11d9a9470cc8e2cc13a9 *Art Tambourine Man LB-0087\Acoustic Man In Augusta back.jpg 89d971bb45ad80dae371ac41105613c8 *Art Tambourine Man LB-0087\Acoustic Man In Augusta cd.jpg 94245dfb0a965d9d9653bbb531981339 *Art Tambourine Man LB-0087\Acoustic Man In Augusta front.jpg 9889660c8bb1bf92264e7b84abfe7477 *flacs\01 Humming Bird.flac 93b0caa7ef2673b792ae7c5856092009 *flacs\02 The Man In Me.flac ee39c4560a7063a284e554d1c6a28892 *flacs\03 It's Alright, Ma (I'm Only Bleeding).flac 71ff5af066c10167a86233dc2c616522 *flacs\04 If You See Her, Say Hello.flac 4ab5ba13dc47d12da1f58afe9252dd35 *flacs\05 Tombstone Blues.flac 3558d032668d8575d24c64b322743c33 *flacs\06 Tears of Rage.flac 060ad536c36e67e53e648068d8d71ebf *flacs\07 Floater (Too Much To Ask).flac d17d26bd0041eacd91b34c97a78b8d3a *flacs\08 High Water (For Charley Patton).flac 5c02ac3ede4e8a922b8f7e0b27af1641 *flacs\09 The Lonesome Death of Hattie Carroll.flac ae9f126bf761c6f1f7b3d3965e1ac7cc *flacs\10 Tangled Up In Blue.flac 4f89e0949f19e4f32cd69b185dae9515 *flacs\11 Knockin' On Heaven's Door.flac f3c9980248b875e89c0a1dcb4390a2a0 *flacs\12 Summer Days.flac 93cf7f8c2db596e5d5acb3803869f935 *flacs\13 Never Gonna Be The Same Again.flac bde0d10dc52ebfb9d6dba8e22eff2045 *flacs\14 Cold Irons Bound.flac 766a27b2aea16a4a7bc9088406705b7f *flacs\15 Rainy Day Women #12 & 35.flac 6c550501fac05d679c8168b2c68734a0 *flacs\16 Like A Rolling Stone.flac f6e98e421e64ec13783e74983df7e8dc *flacs\17 Honest With Me.flac 427bb30128e33718a35cce70107c5424 *flacs\18 Blowin' In The Wind.flac 3abfe54cd6b42ed015d9bfb2ee26c7d1 *flacs\19 All Along The Watchtower.flac =================== =================== ===================