Bob Dylan, 1/1/63, Fantasy Acetate (1963-1964), 1CDR

LB-5091, (51min), Flac [1cd], Various Dates & Locations, Stereo Acetate LP (Fantasy Records 77182), Excellent Recording Quality, Artwork Included, Lineage: TradeCDR--> EAC(secure)--> Flac(level.8)--> HungerCity!, [quote]Keith Venturoni has been in touch with Fantasy Records, and confirmed that the tape from which this acetate was made came from Ralph Gleason, who was a co-owner of Fantasy at the time. The acetate was made from the tape between 1972-80 by David Turner, Fantasy's then chief engineer (this may have been during the period when Bob wasn't signed to Columbia)., This stereo acetate contains early 1960s tracks from Bob, four of which have appeared on The Bootleg Series Vols. 1-3, and The Bootleg Series Vol. 6: Live 1964 . There are six rarities - three tracks that appeared on the withdrawn 1964 Columbia album Bob Dylan In Concert, one studio track that appeared on a Columbia acetate, and two tracks that are otherwise unreleased., R-0674 Mr Tambourine Man - previously unknown live recording, most likely to be from the Royal Festival Hall, London, 17 May 1964., R-0390-3 Hero Blues - The Times They Are A-Changin' outtake with piano, with fake applause added on the end (This version also appeared on early Columbia acetates of the album.), R-0374-3 Percy's Song - live Carnegie Hall, New York, 26 October 1963, from unreleased Columbia album Bob Dylan In Concert,also on bobdylan.com, Jan 1998. This version has no intro as on In Concert but has lots of audience coughing that is not on the In Concert version., R-0675 Eternal Circle - previously unknown live recording, most likely to be from the Royal Festival Hall, London, 17 May 1964., As for the origin of R-0674 and R-0675, Bob Stacy says: " The source for the two "new" songs could be the concert at London Royal Festival Hall (May 17, 1964) which was recorded for Columbia by Pye Records onto four 4-inch reels in 3-tracks., The Gleason connection is easy on this. Gleason was commissioned by Columbia to write the sleeve-notes for In Concert (undoubtedly at Dylan's request). So, if In Concert was reconfigured, Gleason would obviously have needed to revise those sleeve notes (seemingly now lost) hence the need for another acetate. [/quote], Enjoy!, HungerCity Tracker & Forum (www.hungercity.org) 15th June 2007; bittorrent download 06/07; excellent sound [A-]

skip t2 4:33 that repeats 2 seconds

1. Who Killed Davey Moore (Carnegie Hall, New York, 26th October 1963), 2. Gates Of Eden (Philharmonic Hall, New York, 31st October 1964), 3. Bob Dylan's New Orleans Rag (Town Hall, New York, 22nd April 1963), 4. Seven Curses (Carnegie Hall, New York, 26th October 1963), 5. Walls Of Red Wing (Columbia Studios, New York, USA), 6. If You Gotta Go, Go Now (Philharmonic Hall, New York, 31st October 1964), 7. Mr. Tambourine Man (Royal Festival Hall, London, 17th May 1964), 8. Hero Blues (Columbia Studios, New York, USA), 9. Percy's Song (Carnegie Hall, New York, 26th October 1963), 10. Eternal Circle (Royal Festival Hall, London, 17th May 1964)

Please retain this info file and its LB number as a marker for this lossless set
and if you spread it please list it in the description to avoid others getting duplicates